INDEX

Page 5

Celestino Soddu, Enrica Colabella, Italy, Chairs of Generative Art conference,

OPENING

PAPERS, VIDEOS and ARTWORKS

Page 15

Celestino Soddu, Italy, Generative Art & Design Lab, Argenia,

GENERATIVE ART AND DESIGN. VISIONARY ALGORITMS FOR A NATURAL COMPLEXITY, paper

Page 21

Adam Fung, Nick Bontrager, USA, School of Art, Texas Christian University,

PRINCIPLES OF DESTRUCTION (EMERGENCE), video

Page 23

Ahmed Abdulwahid Taha, Oday Qusay Abdulqader, Iraq, Department of Architectural Engineering, Mosul University, Mosul,,

THE ALGORITHM OF GENERATING ALTERNATIVE MODELS FROM THE HERITAGE HOUSES’ GATES IN OLD MOSUL CITY, paper

Page 30

Alain Lioret, France, ESGI Digital Lab,

QUANTUM BEINGS, paper

Page 37

Amer Abdullah Alazawi, Oday Qusay Abdulqader, Osamah Hammadi Ali, Iraq, Department of Architectural Engineering, Mosul University, Mosul,,

THE GENERATING PROCESS OF ALTERNATIVES OF CONTEMPORARY FACADES FORMS FOR HOUSES, paper

Page 44

Andre Kudra, Germany, AoC Initiative, Germany, Echtzeit – Digitale Kultur, Switzerland, Computerkunst e. V., Germany,

DEMOSCENE DISPLAY INSTALLATION, installation(video)

Page 46

Angela Ferraiolo, USA, Visual and Studio Arts, Sarah Lawrence College, Bronxville, New

York,

ZEBRA: THREAT AND RESPONSE IN A DYNAMICAL ARTWORK, paper

Page 49

Anna Ursyn, Stuart Smith, USA, School of Art and D esign, University of Northern Colorado, Computer Science and Music, U Mass, Lovell,

URBAN CODES , artwork video

Page 50

Arne Eigenfeldt, Canada, School for the Contemporary Arts Simon Fraser University, Vancouver,

A WALK TO MERYTON , paper and video installation

Page62

Celestino Soddu, Italy, Generative Art & Design Lab, Argenia,

ABDUCTION FROM BORROMINI. GENERATIVE INTERPRETATION OF THE FAÇADE OF “ORATORIO DEI FILIPPINI”, artwork

Page 65

Chad Eby, USA, School of Art and Visual Studies, University of Kentucky, Lexington, KY,,

MODULARITY AND GENERATIVE ART, paper

Page 74

Chin-En Keith Soo, New Zealand, University of Waikato, Department of Design,

( CO - WARE ), artwork

Page 79

Christopher Fry, UK, Westminster School of Art, Univ. of Westminster,

REGULATING OBSERVERS: VISUALITY AND THE INFLUENCE OF SCOPIC REGIMES ON THE EXPERIENCE OF VIRTUAL SPACE, paper

Page 90

Curtis L Palmer, Canada, Edmonton, Alberta,

THE BLACK HOLE AT THE CENTRE OF THIS ORB IS A RHOMBIC DODECAHEDRON, artwork

Page 94

Daniel Bisig, UK, Switzerland, , "Center for Dance Research, Coventry University, Coventry, United Kingdoms; Institute for Computer Music and S ound Technology, Zurich University of the Arts, Zurich, Switzerland,

PRACTICAL RESOURCES FOR DEVELOPING IDIOSYNCRATIC GENERATIVE SYSTEMS FOR DANCE, paper

Page 113

Davide Prete, Sergio Picozzi , USA, University of the District of Columbia, The Catholic University of America,

GENERATIVE DESIGN OF LATTICE STRUCTURES FOR 3D PRINTED SCULPTURES, paper + artwork

Page 123

Dmitry L. Weise, Russia, Central Research Institute of Dental and M axillofacial Surgery, Department of Radiation Diagnostics. Moscow,

PERIODIC STRUCTURES ON PHYLLOTACTIC PATTERNS, paper

Page 131

Dota Alexiou, Dimitris Gourdoukis, Greece, School of Architecture, Aristotle University of Thessaloniki,

SIMMETRY AS REPETITION, paper

Page 144

Dragana Ciric, Serbia, Independent Scholar/Scientist, PI, Founder and Architect / unit [d].,

GENERATIVE DESIGN PRINCIPLES AND ALGORITHMIC THINKING IN ARCHITECTURAL PLAN VARIATIONS: HUMAN TO MACHINE APPROACH , paper

Page 157

Elisavet Parisi, Dimitris Gourdoukis, Greece, School of Architecture, Aristotle University of Thessaloniki,

XENAKIS AND THE OTHER BETWEEN DETERMINISM AND THE UNEXPECTED, paper

Page 165

Enrica Colabella, Italy, Generative Art & Design Lab, Argenia,

FLOWING IN GA NATURALNESS, paper

Page 175

Hans Dehlinger, Germany, Department of Product Design, Universität Kassel,

IMAGE FROM FIBONACCI GENERATIVE ART SERIES: FIB_D2_ROT-2016, artwork

Page 177

Haruka Hirayama, Vasilis Agiomyrgianakis, Japan, Greece, Department of Information Media, Hokkaido Information University, Ebetsu, Japan - Department Audio & Visual Arts, Ionian University, Corfu, Greece,

ACTS FOR TELEMATIC PAINTING AND LIVE CODING, paper + Performance

Page 183

Helena Verril, UK, Department of Mathematics, Warwick University,

GENERATIVE ART FROM THE CALCULUS CLASSROOM, paper

Page 190

Jeff Morris, USA, School of Performance, Visualization, and Fine Arts, Texas A&M University, College Station, Texas,

SNAKE IN THE LABYRINTH, paper + video music

Page 191

Leo Baldwin-Ramult, New Zealand, Elam School of Fine Arts, University of Auckland,

GENERATIVE COMPUTER ART AND THE UNCONSCIOUS, paper

Page 200

Mahnaz Shah, UK, Edinburgh School of Architecture and Landscape Architecture, University of Edinburgh,

CITY OF MEMORIES – CITY OF VOIDS. GENERATIVE MECHANISMS WITHIN CONTEMPORARY GLASGOW CITY, paper

Page 210

Mark Zanter , USA, Marshall University, School of Music,

THE USE OF MARKOV CHAINS IN EX MACHINA, paper

Page 216

Michael Burt, Israel, Faculty of Architecture & Town Planning Technion I.I.T Haifa,

KALEIDOSCOPES - KALEIDOSPACES ON A BUILDING SCALE AND THEIR INNER ORCHESTRATED SPATIAL CHOREOGRAPHY, paper

Page 226

Monika Karwaszewska, Poland, Stanisław Moniuszko Academy of Music in Gdańsk,

TO SEE THE INVISIBLE. INPHRASTIC INSPIRATIONS BY NIGHT NATURE PHOTOGRAPHY. FROM PHOTOGRAPHY TO AUDIOVISUAL COMPOSITION, paper Page 234

Nathan Matteson, Nicholas Kersulis, USA, School of Design, College of Computing and Digital Media, DePaul University, Chicago IL; Otis College of Art and Design, Los Angeles CA,

GOOD-FOR-NOTHING (WORKING-CLASS ITALIAN GENTLEMAN #1) AND GOOD-FOR-NOTHING (WORKING-CLASS ITALIAN GENTLEMAN #2), paper

Page 236

Patryk Wasiak, Poland, Institute of History, Polish Academy of Sciences, Warsaw,

PRACTICES OF PROGRAMMING AMATEUR COMPUTER GRAPHICS IN THE 8-BIT MICROCOMPUTER ERA, paper

Page 239

Philip Galanter, USA, School of Performance, Visualization & Fine Art, Texas A&M University, College Station,

MATERIAL GENERATIVE ART, paper

Page 245

Robert Spahr, USA, School of Media Arts, Southern Illinois University Carbondale,

AESTHETIC MUSINGS: EVIL AS A GENERATIVE PROCESS, paper

Page 248

Rongrong Zhou, China, Peking University,

CURATED NOVEL, paper

Page 258

Silvija Ozola, Latvia, Riga Technical University,

THE MAGIC OF LIGHT IN THE URBAN ENVIRONMENT IN LATVIA, paper

Page 274

Sławomir Wojtkiewicz, Poland, Bialystok University of Technology, Faculty of

Architecture, Department of Visual Arts,

THE CONSTRUCTION, paper

Page 276

Tatsuo Unemi, Japan, Department of Info. Sys, Sci., Soka University, Hachioji,

INDIVIDUAL-BASED EPIDEMIC SIMULATOR AND ITS VISUALIZATION AS GENERATIVE ART, paper

Page 281

Tristan Cazenave, Guillaume Grosjean, Baptiste Rozière, Anna Pappa, France, LAMSADE, Université Paris Dauphine – PSL, Paris - LIASD, Université Paris 8, Saint- Denis,

MOLIAIRE, A THEATRICAL AGENT WHICH SPEAKS LIKE MOLIÈRE’S CHARACTERS, paper

Page 286

Umberto Roncoroni, Peru', Facultad de D iseño, Universidad Peruana de C iencias Aplicadas, Lima,

PROGRAMMING COMPLEX 3D MESHES. A GENERATIVE APPROACH BASED ON SHAPE GRAMMARS, paper

Page 295

Zi-Ying Liao, Sheng-Fen Chien, Taiwan, National Cheng Kung University, Tainan,

INK- SIGHT, MY SIGHT, paper

LIVE PERFORMANCES

Page 306

Beata Oryl, Michał Garnowski, Poland, Stanisław Moniuszko Academy of Music in

Gdańsk,

ALBION INTERMEDIA PROJECT, performance

Page 308

Enrica Colabella, Celestino Soddu, Kathryn Ricketts, Italy, Generative Art & Design Lab, Argenia, Canada, University of Regina,

NATURALNESS GENERATIVE SILENCE, performance

Page 310

Filippo Gregoretti, Daniela Bendoni, Italy, Dipartimento di Scienze della Comunicazione, Università Suor Orsola Beincasa, Napoli,

AD VITAM, EXPLETUS, AN AI POWERED AUDIO-VISUAL JOURNEY INTO IMPERMANENCE, performance